TY - GEN
T1 - Relative positioning
AU - McKay, Mike
PY - 2015
Y1 - 2015
N2 - How we understand the world is directly affected by our position in it. Constellations are simply the result of cognitive alignments related to our location in the universe, the horizon simply based on proximity and time. Relative Positioning explores the power of position in architecture: specifically, how anamorphic projection and perspectival techniques can generate space and challenge our understanding of its form. Architectural illusion and perspectival deceptions have been investigated since antiquity in order to alter the perception of a given space, primarily used in an illusionary or optical manner. However, Anamorphic projection offers the potential to create dynamic spatial experiences that go well beyond simple projections or images/ shapes simply painted onto a surface. Within Relative Positioning, architectural form exists in 3-dimensions (real, physical) but is perceived via procession and emergent perceptions based on choreographed alignments and foci—making it possible for a duality of visual perception to occur. Much like the diagonal movement through Villa Savoye or the space created by Matta-Clark’s cut, views and alignments add value and create perceptual shifts in order to elevate an awareness of space that is beyond the physical: a sensual and cerebral environment within which to dwell, a spatial ambiguity that puts pressure on the ‘real’ and opens up a world of wonder and excitement.
AB - How we understand the world is directly affected by our position in it. Constellations are simply the result of cognitive alignments related to our location in the universe, the horizon simply based on proximity and time. Relative Positioning explores the power of position in architecture: specifically, how anamorphic projection and perspectival techniques can generate space and challenge our understanding of its form. Architectural illusion and perspectival deceptions have been investigated since antiquity in order to alter the perception of a given space, primarily used in an illusionary or optical manner. However, Anamorphic projection offers the potential to create dynamic spatial experiences that go well beyond simple projections or images/ shapes simply painted onto a surface. Within Relative Positioning, architectural form exists in 3-dimensions (real, physical) but is perceived via procession and emergent perceptions based on choreographed alignments and foci—making it possible for a duality of visual perception to occur. Much like the diagonal movement through Villa Savoye or the space created by Matta-Clark’s cut, views and alignments add value and create perceptual shifts in order to elevate an awareness of space that is beyond the physical: a sensual and cerebral environment within which to dwell, a spatial ambiguity that puts pressure on the ‘real’ and opens up a world of wonder and excitement.
UR - http://www.scopus.com/inward/record.url?scp=85051936328&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85051936328&partnerID=8YFLogxK
M3 - Conference contribution
AN - SCOPUS:85051936328
T3 - ACADIA 2015 - Computational Ecologies: Design in the Anthropocene: Proceedings of the 35th Annual Conference of the Association for Computer Aided Design in Architecture
BT - ACADIA 2015 - Computational Ecologies
A2 - Perry, Chris
A2 - Combs, Lonn
T2 - 35th Annual Conference of the Association for Computer Aided Design in Architecture - Computational Ecologies: Design in the Anthropocene, ACADIA 2015
Y2 - 19 October 2015 through 25 October 2015
ER -