Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Original language	American English
Title of host publication	Customised Books in Early Modern Europe and the Americas, 1400–1700
Pages	475-491
ISBN (Electronic)	978-90-04-68056-2
State	Published - 2024

Name	Intersections
Volume	86

Keywords

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title = "Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638",

keywords = "Book history, Early Modern Period, music printing, Music, Venetice",

author = "Jason Rosenholtz-Witt",

year = "2024",

language = "American English",

isbn = "978-90-04-68055-5",

series = "Intersections",

pages = "475--491",

booktitle = "Customised Books in Early Modern Europe and the Americas, 1400–1700",

}

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T1 - Venice as a Musical Commodity in Early Modern Germany: A Frontispiece Collage, c. 1638

AU - Rosenholtz-Witt, Jason

PY - 2024

Y1 - 2024

KW - Book history

KW - Early Modern Period

KW - music printing

KW - Music

KW - Venetice

M3 - Chapter

SN - 978-90-04-68055-5

T3 - Intersections

SP - 475

EP - 491

BT - Customised Books in Early Modern Europe and the Americas, 1400–1700

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