| Idioma original | English |
|---|---|
| Páginas (desde-hasta) | 392-421 |
| Número de páginas | 30 |
| Publicación | Journal of the American Musicological Society |
| Volumen | 36 |
| N.º | 3 |
| DOI | |
| Estado | Published - 1983 |
Nota bibliográfica
Funding Information:* The research for this article was conducted with the aid of grants from the Mrs. Giles P. Whiting Foundation and the Gladys Krieble Delmas Foundation. I would like to thank the staff of the Archivio di Stato in Venice, and in particular Dr. Francesca Romanelli, for their kind assistance. I Until I807 San Marco was the private chapel Doge, of the the elected ruler of Napoleonic conquest Venice. Before the the Patriarch of Venice had his seat at the cathedral of San Pietro di Castello, at the eastern edge of the city.
Financiación
* The research for this article was conducted with the aid of grants from the Mrs. Giles P. Whiting Foundation and the Gladys Krieble Delmas Foundation. I would like to thank the staff of the Archivio di Stato in Venice, and in particular Dr. Francesca Romanelli, for their kind assistance. I Until I807 San Marco was the private chapel Doge, of the the elected ruler of Napoleonic conquest Venice. Before the the Patriarch of Venice had his seat at the cathedral of San Pietro di Castello, at the eastern edge of the city.
| Financiadores |
|---|
| Giles P. Whiting Foundation |
| Gladys Krieble Delmas Foundation |
ASJC Scopus subject areas
- Music
Huella
Profundice en los temas de investigación de 'A Musicians’ Union in Sixteenth-Century Venice'. En conjunto forman una huella única.Citar esto
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