Resumen
Art/Race/Violence: A Collaborative Response was an exhibition that marked the centennial anniversary of the lynching of Ell Persons in Memphis, Tennessee. To rec-ognize that history and confront racism and violence, co-curators and participants en-acted the roles of artists, researchers, and teachers collaboratively creating a work of socially engaged art. As a case study, this paper historically documents the exhibition and engages in critical theory to understand its effects on developing consciousness of those involved. By analyzing the exhibition design, collaborative artwork, and participant responses, three key findings emerge: education is foundational to developing conscious-ness; collaboration can raise and complicate developing consciousness; and developing consciousness encourages sharing.
| Idioma original | English |
|---|---|
| Páginas (desde-hasta) | 48-67 |
| Número de páginas | 20 |
| Publicación | Visual Arts Research |
| Volumen | 46 |
| N.º | 2 |
| DOI | |
| Estado | Published - dic 1 2020 |
Nota bibliográfica
Publisher Copyright:© 2020 by the Board of Trustees of the University of Illinois.
Financiación
Karimnia’s developing consciousness was encouraged by the emphasis on research required by the co-curators and the support of her collaborative partner, Carter. An interesting tension arises between Karimnia’s question and the way it manifested. The realization of the burden on many artists of color to educate viewers about the experience of being a person of color came in part from her collaborative partner sharing his work, research, and life experiences.
ODS de las Naciones Unidas
Este resultado contribuye a los siguientes Objetivos de Desarrollo Sostenible
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Peace justice and strong institutions
ASJC Scopus subject areas
- Visual Arts and Performing Arts
Huella
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