Resumen
Part of a special issue devoted to the centenary of the Film Institute VGIK, this article discusses Andrei Tarkovsky’s first student film The Killers (1956), based on Ernest Hemingway’s ‘The Killers’. It explores the significance of the choice of a piece of foreign literature, a text by Hemingway, in 1956 for a student of VGIK. The article further studies the collaboration with Aleksandr Gordon and Maria Beiku, and draws out the approaches that make visible the influence of Italian neo-realism and connect this film to Tarkovsky’s later work.
| Idioma original | English |
|---|---|
| Páginas (desde-hasta) | 172-181 |
| Número de páginas | 10 |
| Publicación | Studies in Russian and Soviet Cinema |
| Volumen | 13 |
| N.º | 2 |
| DOI | |
| Estado | Published - may 4 2019 |
Nota bibliográfica
Publisher Copyright:© 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group.
ASJC Scopus subject areas
- Communication
- Visual Arts and Performing Arts
Huella
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